Art for reproduction. Shaun Waugh at the drawing board uses a 0.35mm Rotring technical pen to illustrate the Jewelled Gecko (Naultinus Gemmeus) in a pointillist illustration style onto a dimensionally stable sheet of translucent mylar substrate. The original illustration is rendered in landscape orientation at an enlarged size, 600 x 450mm.

Crafting New Zealand Wildlife Art: The Art of Colour Separation

December 27, 2024 / / No Comments

The Art of Art for Reproduction: Rediscovering the Charm of Hand-Separated Rendering for Screen Printing

In the modern world of digital design, where every line can be perfected with a click, there’s something uniquely captivating about the traditional methods of graphic design. Today, I want to take you back to the early ‘80s, to the Graphic Design School at Auckland Technical Institute, where I spent over four years mastering an art form that’s as meticulous as it is magical—hand-separating colours for screen printing. Rendering shading, texture, and detail to achieve a realistic depiction of New Zealand native animals and plants.

Art for reproduction. Shaun Waugh at the drawing board uses a 0.35mm Rotring technical pen to illustrate the Jewelled Gecko (Naultinus Gemmeus) in a pointillist illustration style onto a dimensionally stable sheet of translucent mylar substrate. Right photo: Shaun charcoal drawing on coquille board the dark green colour-separated layer of the Jewelled Gecko ten colour art.
Rendering method. This process is performed using a lightbox where light shines through the reference highlighting the areas to be drawn in a careful pointillist transcription method with a 0.35 mm Rotring pen onto Mylar film or delicate charcoal pencil shading onto textured coquille board.
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