That flash of electric blue lifting off an old wooden post is always inspiring down on the South Brighton estuary walk. I love how the digital watercolour painting wraps around the side so half of the post continues onto the back.
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When I was deep into the process of re-creating a 1957 American Motors dealership banner for my friend’s Rambler Rebel restoration, I found myself intrigued by the car’s oddball charm. Its rarity fascinated me. My friend had showed me the 1957 Rambler Rebel in his workshop, which he’s been pouring his heart into restoring, it was in its bare metal current state. Its unibody design was clearly visible and surprising, I didn’t know that any cars were made by American Automakers in the 1950s where the body structure itself provides the main strength.
Curious to understand how this innovation came about, I dove into research. I uncovered fascinating details about the car’s legacy. Monocoque construction contributed to its lightweight agility and record-breaking 0-60 time of 7.5 seconds in 1957 at the Daytona Beach Speed Week. The research also yielded low-resolution images of the car speeding along the test track, and still images of it at Daytona Beach Speed Week.
It occurred to me that the bold graphic design of the banner, with its vintage fonts and striking colours, would look great on a t-shirt. This would be especially true if I paired it with a digital illustration of the Rebel in motion on the track.
Picture this: it’s 1957, and the American automotive landscape is a parade of chrome and tail fins—cars flexing their excess like peacocks in Detroit showrooms. Then, rolling out of the chaos, comes the 1957 Rambler Rebel. Not a conformist, not a follower, but a four-door rebel with a metallic silver streak and a secret under the hood. My friend, a car nut with grease under his nails and a gleam in his eye, is restoring one of these rare beauties right now. And me? I’m the design guy who got roped into re-creating an American Motors dealership banner from that very year—a bold, period-perfect piece to match his labour of love.
But why go to all this trouble for a car most folks don’t know they’ve forgotten?
Let me tell you a story about the Rebel that explains it all.
There’s an undeniable allure to an authentic car dealer banner from the 1960s, a cherished relic that transports us back to an era when automotive culture was as much about bold design statements as it was about engineering prowess and value for money.
This 1960s Rambler banner, with its vibrantly patriotic red, white, and blue hues, served as proud beacons of post-war American ingenuity.
This banner in association with the car drew enthusiasts and casual onlookers alike to the owners’ stall at the 2024 McLeans Island swap meet.
Handcrafted with care, they embodied a tactile authenticity—lustrous, pearly white polyester satin and solid cut vinyl colour printing re-creating the era’s optimism and craftsmanship.
Recreating such a piece, as my spouse and I did with the 1965 Rambler banner, preserves not just a design but a story, infusing it with durability for modern display while honouring its historical mid-century modern roots.
It’s a celebration of nostalgia, a functional art piece that elevates any classic car showcase with its vivid presence and timeless appeal.
Living in a small New Zealand country town, my friend and client, a Freezing Worker with a passion for restoring classic American muscle cars, especially those from American Motors, approached me with a unique commission. His project was to immortalise his cherished 1970 Rambler Rebel SST on apparel, inspired by an advertisement from the April 1970 issue of New Zealand’s Reader’s Digest.
The brief was clear—to recreate the black and white ad of the Rambler Rebel SST in colour, but with a modern twist suitable for today’s fashion. The first step was understanding the nostalgia and the essence of the car’s era. The brief to maintain the advertisement’s simplicity yet enhance it with a contemporary touch to resonate with both car enthusiasts and fashion aficionados.
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