A coolie steps off a wooden cargo boat gangplank. These magnificent Makassar schooners called Pinisiat at the port of Sunda Kelapa, Jakarta, Indonesia.

The right picture: Batavia, old harbour of Jakarta

Sunda Kelapa, the old harbour of Jakarta, whispers tales of a bygone era.

Known as Batavia until 1949, the port was a centre of trade and cultural exchange; students of Captain James Cook are generally cognisant of Batavia’s prominence in the first voyage story. In this post I’ll take you on a visual journey through Sunda Kelapa, using this captivating location as a springboard to explore the art of choosing the perfect image.

The practice of self assignment can be one of a photographer’s most useful exercises. It is a highly personal experience in which the photographer becomes his own audience—there is no client to please, no specific requirements by which the photographs will be judged. It serves as a way to test your abilities should they ever be offered the “dream” assignment. This is an opportunity to make mistakes and learn from them. Some good images may be captured in the bargain. The purpose beyond any such practice should be to move beyond the ordinary, to break the photographic cliché.
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Mario, wild Orangutan, Borneo

The opportunity to capture wild Orangutan portraits was a rare treat


CAMP LEAKEY, TANJUNG PUTING NATIONAL PARK, BORNEO


ORANGUTAN ARE AN ALMOST exclusively arboreal species, so the glimpse we got of this teenage male named Mario, early in the morning from our riverboat before leaving the National Park, dipping in the river and posing like Tarzan on the ground just a few metres away, this was an extraordinary treat.
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